Every year computers come with larger hard drives and more random access memory. With these large hard drives and massive RAM these computers can do incredible things indeed. Many computers also serve as DVD players for videos and even full-length movies. But in the future we may see computers, which come with various movies pre-loaded in packages. We will also see movies, which are released to the theatres show up on DVDs in the stores with in a couple of days.

Even more intriguing is the idea of downloadable movies off the Internet for $3-4 dollars the same day as the movie comes out. These downloadable movies will perhaps be able to be re-loaded to another computer up to 1-2 additional times as copies free of charge. With such future technologies movies will be more accessible and the Movie Makers and Studios stand to make more money and get more bang for the massive pre-release Public Relations Campaigns and Advertising Dollars.

Of course movie fans stand to get the most out of it with lower prices, economies of scale from more buyers and this indeed could fuel a whole new era in movie watching and spur on more modernistic genera movies. Not to mention make movie making more profitable meaning less risk, more re-makes and better variety. Sounds good to me. Consider all this in 2006.

“Lance Winslow” - Online Think Tank forum board. If you have innovative thoughts and unique perspectives, come think with Lance; http://www.WorldThinkTank.net/wttbbs/

Mobile no longer remains a necessity for communication but it has become a fashion trend or accessory. Now there are various accessories such as faceplates, wallpapers, ringtones that are an integral part of a mobile phone. Of the above mentioned accessories, ringtone is the most popular of all. Groovy tunes and music ringtones has become the heartbeat of the teenagers.

There are many cell phone and ringtone providers and T-mobile ringtone is one of the cell phone carriers. As more and more cell phone providers are in the market, it is very confusing as to which one to choose from. Even t- mobile ringtones are easily down-loadable from websites. These mobile ringtones could be purchased or customized as per the compatibility of the mobile phone software.

Do mp3 ringtones provides the same quality of sound as other polyphonic monotones, true tones?
MP3 audio files have compressed music data without any effect on the quality of sound as compared to original CD track. Today, youngsters are crazy to download the latest music songs as their mobile ringtones. Mp3 ringtones are easily available and could be downloaded if the cell phone has the compatible software installed.

Other ringtones such as polyphonic ringtones also provide quality sound while an incoming call rings. True tones and voice tones are also very popular as the consumer is able to customize these as per his likes and dislike or even download the voice of his family members. These ringtones are much better than old mobile beep tones which used to be of same type and less quality of sound making one feel dull.

Most of the cell phone has pre-installed ringbones and at the same the same cell phone service carrier provides with subscriptional service to send new ringtones. For purchasing you need to send a numerical linking code and in return a ringtone is sent to your mobile with the charge being deducted from your account balance.

We recommend our website t-mobile-ringtone.info to get more information on t-mobile ringtones.

Olivia Andrews is a freelance journalist and has written many reviews on subjects such as finance, education, entertainment, music, apparels and mobile phones.

You’re loaded up on MySpace - tons of friends and fans with pictures from your most recent shows, flyers for your next tour, and comments from the peanut gallery on everything from the outfit you wore last week to the person you just broke up with. But as much as this is working, it’s limiting. Hugely limiting.

With your own website, your band goes to the next level. First, there’s the credibility. MySpace is for basement bands, kids who practice after school when their drummer isn’t grounded. When you have your own website, you can actually be a basement band with a drummer under perpetual house arrest, but to the rest of the world, you are a professional group of serious musicians, each member with an email address that includes your band’s name.

Include a link to your website in every email you send out, list it at the bottom of flyers, put it on business cards and attach it to the demo CD you send out to record companies. Reviewers can get information about you from your site and, in turn, you can post comments they print. Give bios of the band members and ways to contact you. List lyrics to your songs and tour schedules. The more you have on your website, the more street cred you get - and anything is better than a little spot on MySpace.

Next, there’s the possibilities. What can’t you have when you’ve got your own website? You can sell your new album, t shirts in a variety of styles, hats, posters, patches, pins. You can upload samples of your songs, making a pseudo-demo tape available for fans, club owners, recording executives, and potential agents to listen to. Have a variety of forums for your fans to meet each other, get rides to shows, ask you questions, discuss your music - all conveniently separated into categories that would be impossible in the endless list of comments on MySpace.

You can also communicate with your band members through your website. Use secure pages that the public won’t have access to and pass notes back and forth when one is out of town. Upload clips of that bass line you’re working on or lyrics that you’re having trouble with. Even if you all have ‘real’ jobs or go to school full time, you can still have band practice via the website.

Websites are a great way to develop your cult status as well. Upload live tracks from your shows and start a bootleg craze, new millennium style. Offer limited edition, hand screened t-shirts and patches. Create a blog and pick a fan out of every show to memorialize. Make up rumors about yourself and spread them. Start an online war with another band. Get noticed and get people listening to your music, talking about your band, and coming to your shows. Then start your own label and help them make their website as big of a success as yours is.

Madison Lockwood is a customer relations associate for ApolloHosting.com. She brings years of experience as a small business consultant to helping prospective clients understand the ways in which a website may benefit them both personally and professionally. Apollo Hosting provides website hosting, ecommerce hosting, vps hosting, and web design services to a wide range of customers. Established in 1999, Apollo prides itself on the highest levels of customer support.

The occurrence of low budget flight tickets - sometimes cheaper than a domestic train ticket - has made easier to make purchasing a estate overseas a easy choice; even in this period of international fiscal uncertainty. Not to mention the fact that a asset out of the country has gigantic investment prospective - even through reconstruction and sale or renting your house as a holiday home.

Quite often, many persons are unacquainted or ill informed about the probable risks concerned with purchasing estate overseas. Nevertheless there are a little minimal processes you can undergo to be sure you accumulate your wage, purchase a vast land and avoid future tension, apprehension and financial crisis.

To start with you’ll need to meticulously supervise currency fluctuations; this not only applies to the occasion while you are acquiring the foreign assets, however also any stage while you’ll be executing redecorations or even taking far-reaching holidays. This issue is predominantly common in today’s current fiscal climate.

You ought check local house law - lots of times individuals face problems for the reason that they did not appropriately acknowledged their rights. This concern to both buying a property and doing up it. You also need to confirm that the assets close to your asset will not be advertise on and houses developed on it.

You should also examine the corporations you are purchasing from - most of the time if there is any negative publicity about them, that is will be on the web. A simple Google search can indubitably improve this - folks is keen on to be vocal regarding things that have frustrated them; but be sure to look past page one - or dig through specialist forums… that is where you will locate the truthful information and not only the group spiel.

If you are looking for property in Portugal then look no further than Property Index.

Music is an art, however, when it comes to the music industry Music is about money!

If anyone or any company feels that your music will not make them money, there will be absolutely no interest in your music. That’s it in the nut shell. Remember, to always remember this. The Music Industry is about Money!

There are a few sources of money to be made in the music industry. They include but are not limited to:

Record sales

Songs played on the radio

In movies and television

Concerts

Song writing

Producing

Merchandising

Advertising

CD-ROMs/DVDs

If you are an artist and want to get into the music business, you need 3 very important very good people in your corner batting for you on a daily basis. They include:

Personal Manager - The most of important of the three. They should have contacts in the music industry, keep on eye on all your affairs, advise you on things to do, help promote your music, producers to hire, who to sign with when to go on tour, etc. The personal manager will receive 15% and 20% of an artists gross earnings and have good contacts with record companies A&R, Marketing / Sales, and Promotion departments.

Music Attorney - A good attorney specializing in the music will know how to properly negotiate and structure the deals an artist makes. They should have good contacts and be trust worthy. Expect to pay between 100 and 200 per hour for a good music attorney. If an attorney thinks you will get signed, they forego a set fee and charge a percentage of artist’s earnings. In bigger cities, you’ll pay more than in smaller cities.

Music Agent - Book concerts and special appearances. A Personal Manager will help the artist with selecting a good agent.

If you blow up and start generating the big money, then a good Manager / Accountant will be needed to handle your tax situation, review royalty statements, financing tours, offer invest advice and how to manage your money.

Getting recognized by mailing your demo to record labels isn’t impossible, however, 99.9% of the time your material will not get listened to. Even if you have the best song on the planet, it will not be listened to. Record labels want to limit their liability, so they do not listen to unsolicited music. Record labels don’t want to listen to numerous songs and then be held liable if someone claims their material was copied.

If you do decide to mail your CD to record label, send the “solicited” material. First get a contact, preferably an individual in the Artists & Repertoire (A&R) department. Call and first speak to someone. After sending your CD follow up to determine if the targeted individual received your material and another follow up call to determine if it was listened to. Submit 3 to 6 songs and send a bio and picture of yourself. Again this isn’t the preferred way to submit your material to major record labels.

Until you have music business advisors in your corner trying to promote you and there is a “buzz” going around about you, your demo will not reach the decision makers at the record labels. Record companies on a daily basis receive thousands of unsolicited CDs. Most likely your CD will be tossed into a bin located in a remote room filled with overflowing bins of CDs.

Record labels like to deal with artists who have a history of record sales. These are artist that may have produced and sold their own CDs locally or regionally. Record labels like to deal with artists who have performed their material and there is this “buzz” going on about them. MC Hammer, before he became famous, performed his own materials and sold his own records until a major record label signed him. MC Hammer had a lot of leverage in negotiating a good contract because he already proved on a local basis he could sell records.

Record companies want to limit their liability. If you are signed, you are considered an investment that will require some money and they want to see a premium return on their money invested in you. The more you can prove that you can sell record, the better chance you can get signed.

If you get signed to a record company, you the artist will go into the studio and record songs for the record company. The record company makes copies of the master recording and ships it to a distributor. The distributor is a wholesaler who then sells the CDs to retail outlets like Best Buy, Sam Goody and Tower Records. The record company then pumps money into marketing by advertising and promoting your music with hopes of selling records, thus making you a superstar and becoming rich!

It is not as easy as it sounds. It takes a lot of hard work by a talented group of people. Everyone has to work together to make this happen. There are usually many people behind the scenes working to make an artist a superstar.

Record companies often categorized into 4 groups: Major label record companies - have the recording and operating resources to complete all function to sell records. Major label record companies are integrated in that they can handle the promotion, sales, marketing, and distribution to sell music. Major label record companies are Arista, Atlantic, Capital, and Sony.

Major label affiliate labels - have special agreements with the major label record companies, where the major label may fund the smaller labels recording and operating expenses in exchange for a portion of the smaller label profits.

Independent labels - distributes records through major labels. Independent labels have few employees. They tend to find talent, sign the talent, sees to it the music is recorded and contracts with major record labels to perform the promotion, marketing, and other functions.

True independent labels - Has no association with a major label and distribute their music through independent distributors.

The A&R (Artists & Repertoire) Department

The A&R department is the talent scout. They are in charge of finding new talents. They are the eyes and ears of the record company. However, not because you get signed to a record label because an A&R representative likes you it doesn’t mean your CD will ever get produced and released. Executives higher in the company could cancel your deal if they feel your CD will not sell. A record company will have to invest several hundred thousands of dollars to release your CD, so they will be extremely cautious on whom they release.

The Marketing and Sales Department

This department is responsible for getting the public excited about your music and first selling to retail stores the idea of carrying your CD. They are responsible for promotional merchandise, advertising your CD, in store displays, publicity, your CD cover, etc.

The Promotions Department

This department is responsible for getting your music played on the radio. The individuals in this department will visit the various radio stations to convince them to play your material. If your material doesn’t get played, no one will now how you are. People will look at your CD in the retail store and wonder who you are. There is also a direct correlation with CD sales vs. how many times a song for that CD gets played on the radio. More air time on the radio equals more CD sales for the record companies.

Remember music is art, but to the record companies, it’s about money. Keep in mind that it’s a business. Keep in mind everyone is out to make money. The minute people believe that you will not make money for them, you will be dropped and these same people will turn to seek other new artists that they believe will make them money. Unfortunately, the record business doesn’t believe in grooming people. If your first CD isn’t a success, you are out. There are rarely second chances. There are always other talented people behind you who what their shot at fame.

Distribution

Most major retailers such as Tower records will not carry a CD unless the record has a distributor. A strong distributor ensures that your CD will be available in enough places so your CD will sell to ultimately make money. Major labels use large distributors who are better able to get record stores stocked. After years of consolidation, there are only 5 major national wholesale distributors in the US who are owned by conglomerates who also own major record labels. They are:

BMG (distributes Arista, BMG and RCA)

EMI (distributes Capital and Virg.)

Sony Music (distributes Columbia, Epic and Sony)

Universal Music Group (distributes Interscope, Island/Def Jam, and MCA)

WEA (distributes Atlantic, Elektra and Warner Bros.)

Distribution via the Internet Record labels and artists are increasingly using the web to distribute their music. Unknown artists can also use sites like this mZeus.com, http://www.mZeus.com, to generate buzz about their music. However, unknown artists will still have to work hard to get the buzz going about their music. Ultimately, signing a contract with a major record label is the way to go. The major record labels have the financial muscle and people to give you a good shot at becoming famous.

Let’s face it. It’s all about money! Yes, the entertainment industry seems fun and exciting, but people are in it to make money. As an artist the most important contract in the music industry is the record contract. The royalty is a portion of money from record sales paid to the artist for his/her music. The record contract which is a negotiated legal agreement between the record label and artist will state how much royalty an artist is entitled to among other things.

An artist should have a good understanding of how royalties are calculated. A good music attorney will help with this process by making sure the artist is paid what he/she deserves. A 13% royalty for one artist may be a lot of money, however a 13% royalty for another maybe “chump change”.

So this is how the numbers work. An artist successfully signs a record contract. The artist goes to the studio and work diligently to create a CD that the record company fully supports. The record company via its distributor sells the CD with a suggested retail list price (SRLP) of $17.99 to a retailer for about $10.99. The distributor will take 10% - 14% of the $10.99. Therefore the record company will get about the SRLP of $17.99. Independent record companies may receive less than the SRLP. Major record companies will pay artist royalty as a percentage of SRLP.

Rates will vary of each artist depending on how successful their record sells. For a new artist who never had a record deal or has sold less than 100,000 albums will get a typical royalty rate of 12% to 14% of the SRLP. For an independent record label it maybe 10% to 14% of the SRLP. For established artists who have a track record of selling 200,000 to 500,000 albums the royalty rate maybe 14% to 16%. For artists who have sold over 750,000 albums the royalty rates maybe 16% to 18%. As you can see, the more successful the artist is, the higher the royalty. Additionally, royalty maybe based on how well the record sells. For instance, the record contract may state that an artist will get 12% for the first 100,000 units sold, 14% for 100,001 to 300,000 units sold, and 16% for over 300,000 units sold.

But hold your horses. If you sell 500,000 albums and have a royalty rate of 12% doesn’t mean you will get 12% of 500,000 at a SRLP of $17.98 which would equal $1,078,800. This is because as specified in the record contract, there are deductions (expenses) that have to be deducted.

To start off the bat, the record company will deduct a “packaging charge” from the SRLP which is typically 20% for cassettes and 25% for CDs.

Second, more often the artist is responsible for paying the record producer a portion of his/her royalties. Typically a producer will receive 3% to 4% of the SRLP.

Third, in the record business, the contract may state that the artist’s only generates royalties on 85% of the unit sales. For every 100 albums sold, 15 albums sold, the artist gets no royalty.

Forth, the record company will hold a portion of the royalty money because the distributor typically has an agreement with the retail outlets to take back and credit the retail stores money from unsold units. This is very important, because a good portion of your album could be returned to the record company if the album doesn’t sell! The money that’s held back is called a reserve. Reserves maybe held for 2 years before it’s paid to the artist. Typically a major record label will hold a reserve of 25% to 40% of the royalties.

Fifth, advances paid from the record company to the artist are deducted from the artist’s royalty. Advances include but are not limited to the:

Recording studio expenses (new artists to an independent my get an advancement of $0 to $80,000, new artist to a major record label $150,000 to $400,000

Hiring independent promoters to help sell the albums

Cost of making a music video (promotions and an inexpensive music video can cost $150,000 to $200,000.

When money is made for the record sales, these costs are deducted from the artist’s royalties. This is called re-coupment. Therefore, if the artist’s record isn’t successful, the artist may never see a dime. If the royalties are less than the deductions, they artists may well owe the record company money by being in the red! This negative cost maybe carried over to the next album release. A good record contract will not allow a negative cost from one album to be carried over to another album (cross collateralization). If there isn’t another album the record company generally eats the loss.

There are many other costs that the record company will not charge the artists. This includes marketing and in-house promotions (free CD give away, etc.).

So how much does an artist make for a gold album (500,000 albums sold).

Check out the math:

CD (suggested retail list price SRLP) = $ 17.99 Less CD Packaging of 20% = $ -4.50 NET = $ 13.49 Times: Net artist royalty rate (12% - 3% to producer) = X 9% Gross royalty per CD (9% of $13.48) = $ 1.21 Times 500,000 albums = $ 500,000 SUB TOTAL = $ 605,00 Times: Royalty bearing % (15% o = no royalty) = X 85% Gross Royalty = $ 514,250 Less advances: Recording, promo, music video, tour = $ -350,000 TOTAL ROYALTY TO ARTIST = $ 164,250 - Reserves (35%) returned by retailer) = $ -57,487.50 (1) ACTUAL ROYALTY PAID TO ARTIST = $ 106,762.50

(1)Reserves will be paid to artist in 2 years if no CDs returned by retailer

Remember the artist still has to pay TAXES! Don’t forget Uncle Sam has to get his cut! Also, don’t forget the Personal Manger, the Attorney, the Accountant, the Agent and other numerous expenses.

However, there are many other royalties that an artist can acquire. They include, Record Clubs, Compilation CDs, Samplers (low-priced albums in which a few artists are featured), Premiums (albums sold with other products, such as cereal), Film Soundtrack Album, Music Video Sales, Greatest Hit’s Album, Foreign Royalties (song played in some foreign country radio stations pay royalties, unlike the US), Master Use License (music used in a movie, television, commercial, the Internet, CD-ROM and DVD), etc.

Of course because of the Internet, the rules royalties are changing. Many people now buy their music via the Internet. Just think, no packaging required and no distribution to traditional retail stores needed. Some websites allow customers to buy individual songs as oppose to an album. Changes are currently taking place on how royalties are calculated because of the Internet. Many attorneys are pushing to have royalties be based on each song sold as oppose to each album sold. So stay tuned!

by - Patrick Birmingham Mechanical Engineer, MBA, Six-Sigma Green Belt, Web Master (http://www.mzeus.com, http://www.insuranceforeverything.com and http://www.cellphonedigest.net)

This is a style that stays aside all the other music trends. Not aside, but somewhat deeper. The reason is it is a reflection of the race, the plurality of people united by roots and origin. Rap is the culture of Afro-Americans, the continuation of their language and traditions. Rap is a mixture of speech and music, actually it is speech laid on music or beat it’s better to say. And when we claim that people are united through music, meaning every single human being on this planet, rap unites the ones close to blood by music and then everybody else, either welcoming or being hostile to a newcomer. What attracts people in rap? Is it catchy? Maybe. Those non-natives to rap often state the flow of speech is too quick and it is difficult to differentiate the words. Sometimes it seems rap music is only for those from the cradle. Foreigners are not invited.

Rap is classified as urban poetry of lyrical resistance. Thus it is not the music for village like country music. It is the gathering power of those united by music in big cities. The aim is to resist the grieves because misfortunes are more dramatic and numerous in urban areas.

Rap does not only speak to the mind and emotions, but speaks to the society all around people, for people. If the words or courage to say those words are not there, the subconscious takes over and the Rap lyrics kick in.

But once captured by the beat, most people - mainly younger ones - begin to hear the words, and the words may describe just how they are feeling that day. If the boss came to work with an agenda to screw everyone, some people will “feel” the words and the beat, especially when enclosed in a car doing 70 on the freeway. It’s something about riding with the music turned full-blast that has a way of absorbing the mind and supplying a means of temporal escape.

Some songs have innocent words that impress upon the mind to be released later at the water cooler. Some choruses are catchy and when sung by certain artist will stay within the subconscious long after. Various rappers have unique voices that some people find attractive or along the same vocal tone as their own voice, which it makes it easier to sing along.

First goes the beat, and then goes the lyrics! It is not as smooth and tender as classical music, not as glossy as pop, but it has the scream of pain of real emotion of the world’s harshness. One may even state that rap is the most pain expressing music style. Those who sing it or it is better to say read it revive their feelings not only concerning love, as most of the other styles do. Their message is about life and the problems, especially the ones of the Afro-American people. The music of pain and oppression, rap is a remedy to the latter. Let all the pills be like that!

Tony Yayo has bein included on most of his G Unit friends solo albums, in preparation for his own debut album release. The artists featured on the album consist of 50 Cent, Young Buck, The Game and Lloyd Banks. And of course other artists such as, Lil’ Flip, Paul Wall, Eminem and Dr. Dre. The album title Thoughts Of A Predicate Felon has already been released in America.

Expectation for Thoughts Of A Predicate Felon has developed since his new audio tracks have been featured on mixtapes and the most popular radio stations. Tony Yayo is one of G Units original members. During a tour stop in south New York, the G Unit artist was detained for an outstanding weapons charges warrent and was sentenced to a year in a New York prison. When Yayo was finally let out from prison he was almost immediately detained again the next day for having in his possesion a fake passport. The incident forced Yayo to spend six months in prison. After release, the rapper began preparing for his debut album.

The G Unit rapper was recording with G-Unit even though he is only featured two times on Beg For Mercy. Free Yayo was a group created by the G Unit members with the purpose of creating great support for the detained Tony Yayo. For example, on the Beg For Mercy sony Stunt 101 rapper and friend Young Buck says free yayo, the video for that same track features “free Yayo” graffiti. The interest group got to be much bigger than any of them had imagined, even with such rappers such as Eminem wearing a “Free Yayo” T-Shirt at an MTV music Awards 2005. Which ended up in the sale of apparel with the phrase ‘Free Yayo’ on it. The association was accountable for the enthusiasm and expectation produced for the release of the G-Unit rapper. As an additional effect, Tony Yayo’s features on alternative mixtapes seriously raised sales of DJs such as DJ Clue and DJ Whoo Kid.

Tony Yayo

We’ve all heard of them. Child prodigies who begin composing music at some ridiculously young age. For instance, history reports that Mozart was writing minuets by the time he was five years old. Amazing. At five years of age, I’m not sure that I knew the difference between my finger and my thumb and I certainly wasn’t composing music.

Now there is no doubt that the fact that Mozart was composing music by the age of five does not prove that any of the rest of us ever could compose music, but a number of studies conducted over the past fifty or so years indicates that most children can begin composing music as long as they are given both guidance and opportunity.

True, in the vast majority of the cases the end product is not going to rival anything that Mozart put out, but just because you (or your child) may not be the best there ever was at composing music doesn’t mean the attempt is not worth the effort. If we follow that reasoning why would a child learn to walk or run when he or she knows he could never walk or run as well as, say, Michael Jordan? Why would they learn to talk if they knew they could never speak as well as Bill Clinton or Ronald Reagan?

Similarly, imagine if Mozart’s parents had not given him the opportunity to be exposed to music and then the formal training that gave him the tools to begin composing music. The world would be a poorer place without the input of this musical genius.

In Mozart’s situation, he began formal training on the keyboard at the age of four and within a year he was composing music - though I’m sure that it wasn’t of the caliber of his later works. In the case of the average child, however studies have shown that if given the opportunity and the education (i.e. instruction on an instrument, a little bit of music theory, etc) average children can begin composing music somewhere around the age of nine.

Give your child the opportunity and training he or she needs to begin composing music. In most cases it will develop their mind, round out their education, and give them a creative outlet. Eventually, however, of all the children composing music who might not have otherwise, the next Mozart will spring and if it’s your child, the world will thank you. And if not, at least your child has been exposed to some good music and had his or her mind stretched a bit.

I am extremely thankful that my parents had the good sense to expose me to music by way of piano lessons starting when I was about 7. And even though it didn’t “take” until I was an early teenager, when it did I had the background in music theory and technique to where I could progress rapidly from then on. And while I’m a country mile from Mozart’s class, I do well enough to enjoy my self and make a living in music.

Duane Shinn is the author of over 500 music books and music educational materials such as DVD’s, CD’s, musical games for kids, chord charts, musical software, and piano lesson instructional courses for both children & adults. His book & DVD course entitled “Classical Piano For Adult Beginners!” is used by adults around the world. He holds advanced degrees from Southern Oregon University and was the founder of Piano University in Southern Oregon. He is the author of the popular free 101-week online e-mail newsletter titled “Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions” with over 58,800 current subscribers.

I recently spent time analyzing what guides me in my business relationships as owner. It didn’t take me long to narrow down four key elements that I incorporate into my business transactions and relationships.
In fact, my business relationships are an extension of how I interact in my personal relationships. Why shouldn’t my customers and business partners receive the same standards that my friends and family receive in my personal relationships?

The four key elements of my business relationships are:

Trust - I need to be able to trust a business partner and vendor. If I find that a partner is not living up to their obligations in being trustworthy, then I need to sever that relationship.
I believe that the same expectation must be extended by me to my customers and business partners. If I’m not honest with my customers and business partners then why would they continue to do business with me? They wouldn’t.

Business relationships are a two way street. Both parties should come out of the relationship having gained something. If only one party wins, then it’s an unfair relationship.

Reliability - I believe that it’s my duty as a business person to offer reliable services to my customers. In the case of my business, most of my products and services are provided by third party advertisers. I receive a commission when my site leads to a confirmed sale. While my legal obligations are minimized, I do my best to partner with reliable advertisers.

I always allow customer feedback and encourage my site visitors to contact me if they encounter problems. I do my best to resolve any issues that my visitors may have.
In this way I’m providing my visitors/customers with a reliable outlet to conduct their shopping transactions.

Honesty - Since my site ItsTherightWay.com is a news and sports commentary website, my obligation to my visitors is to provide them with honest content.
When providing a commentary to my visitors, I’m honest and to the point. I present the facts the way that I see them.
While my visitors may disagree with my point of view, they hopefully will come to see me as an honest person.

I believe that people need to present the truth as they see it and be honest with their customers, visitors and business partners.
If your partners and customers see you as an honest person then they will be more likely to do more business with you.

It’s definitely in your best interest as a businessperson to conduct yourself in an honest manner.

Integrity - Integrity is defined by dictionary.com as having a strong moral and ethical code. In my personal life I think about how my maker would want me to act in a certain situation. This guides me in me in all my relationships.

Each person has a different code of morals and ethics and I’m not saying that it has to come from religion.

I believe that every businessperson needs to form their own code of conduct. That code of conduct needs to have a set of morals and ethics.
This set of morals and ethics is like a road map and must be consistently applied.

If you adhere to your set of morals and ethics you will conduct yourself with integrity.
Your business partners and customers will see you as a principled person who has a set of standards that can be trusted.

I believe that incorporating trust, reliability, honesty and integrity into your business relationships are vital to being a success in business.

Anthony B. is the founder and owner of ItsTheRightWay.com a news, political and sports commentary website.

Anthony has over 7 years of experience as a business professional

There are a number of antidepressant drugs currently on the market. The older antidepressants, known as Tricyclics and MAOI’s (Monoamine Oxidase Inhibitors), tend to be prescribed less often than the newer SSRI’s (Selective Serotonin Reuptake Inhibitors). This is because the SSRI antidepressants are thought to have fewer side effects and reduced toxicity in overdose.

Typical drugs within the SSRI category are Seroxat, Cipramil, and Prozac. 5 There are a number initial and on-going side-effects associated with these drugs including nausea, sleep problems, headache, restlessness, fever, sweating, dizziness, sedation and sexual dysfunction. Virginal bleeding has also been reported after withdrawal of SSRI’s. The severity of any side-effects/withdrawal effects may be dependant on the length of time the drugs are taken and the dosage.

The neurotransmitter, Serotonin, is thought to have an effect on mood - although, its function is not fully understood. Therefore, the efficacy (effectiveness) of the Selective Serotonin Reuptake Inhibitors (SSRI’s) is also not fully understood. However, it is thought that by increasing serotonin levels in the brain, it may be possible to lift depressed feelings or low mood.

Current theory about these antidepressants is that they act within the brain to restrict the reuptake (reabsorption) of Serotonin back into the original nerve cell once the neurotransmitter (chemical messenger) has jumped between one nerve cell and the next. By preventing the natural reabsorption of serotonin, the neurotransmitter remains in the gap (synapse) between nerve cells and floods the system - thus increasing serotonin levels.

It is clearly a personal choice whether or not to take antidepressants drugs and to balance the risks against the possible benefits. Although, given our limited knowledge of the human brain and its delicate and complex nature it may be worth questioning the wisdom of attempting to alter its natural balance by artificial means.